Anyone expecting the raw shred of the bespectacled guitar slinger's early solo work, or the fizzing punk-pop singalongs of Freakin' Out and the like would have been in for a shock with this one. The release earlier in the week of Coxon's seventh solo outing The Spinning Top would have told everyone who'd had time to listen to it that our Gray had put the Telecaster on the back burner and immersed himself completely in the English folkiness that he has previously only dabbled with.
Few were expecting this show to consist of the new album, in order, from start to finish — with the temporarily tamed guitar hero sitting on a stool hunched over an acoustic and drinking from a teacup and saucer, with only a jazz drummer and a double bass player for company. But no one was disappointed.
The Spinning Top is a masterpiece; shot through with the golds and deep blues of an English summer, and Coxon's delicate, inventive picking, by his own admission influenced by the British folk revivalists of the sixties — Bert Jansch, John Martyn, Davey Graham — is on a par with any of them. But where those three may have been great players, Coxon has the not inconsiderable bonus of great songs too. And nothing was lost in the translation to the live stage.
In the Morning sounded like it's been around for fifty years or more, and everyone who hadn't yet heard the record must've been convinced it was a folk classic they'd somehow missed. Perfect Love, a jaunty singalong, had everyone, including a grinning Alex James over by the bar, bouncing on the balls of their feet. Sorrow's Army had them looking for the second guitarist. Surely nobody could play that many notes with just the two hands.
But the biggest cheers of the night came on the rare occasions when Coxon rose to strap on his electric — not because the folky stuff was lacking, far from it. But because for all but the tallest members of the audience, the bloke had been invisible until he got up off his stool and began to stagger around in that endearingly awkward way of his to the slightly louder selections, such as rumbling If You Want Me and the rolling Dead Bees. Needless to say, they were larger and livelier than the studio versions, and the one or two who had been calling for Freakin' Out didn't ask for it again once they'd had a bit of this.
Let's hope this Blur reunion doesn't keep him busy for too long.
Wolverhampton Civic Hall @
- Wolverhampton @
- Fri 15 May 2009 @
Setlist: Look into the Light, This House, In the Morning, If You Want Me, Perfect Love, Brave the Storm, Dead Bees, Sorrow's Army, Caspian Sea, Home, Humble Man, Feel Alright, Far From Everything, Tripping Over, November ... and a Davey Graham song whose title I didn't catch. @
Opening act(s): Pete and the Pirates @