Of course, the following review is greatly influenced by the second row seats myself and my girlfriend had, when the artistes performed on the semi-circular walkway that extended from the stage we were within 4-5 feet of A.R. Rahman and colleagues.
The show was rich and diverse, spanning almost each realm of Indian music (there are many !) that Rahman has explored and beautified over the years. From recent dance/pop film tracks to the traditional regality of Hindustani classical to the deep-spirited passion of sufi music. The most magical moments for me were: when Rahman saab appeared a few feet in front of us on the extended stage to sing Dil Se, when he sang the Luka Chhupi duet with a pre-recorded Lata Mangeshkar, and of course Khwaja Mere Khwaja which is a song that transcends all religions with its spirituality. The single most magical experience for me has to be the solo flutist playing the Bombay theme tune, I wish that could have lasted longer. Urvashi Urvashi got me so excited, but Rahman only sang one verse ! A R Rahman is a musical genius everybody knows that, but few know how versatile he is as a live performer, and this show sheds some light on that: from singing, to playing classical/qawwali harmonium, to jazz piano, to witness such talent is truly wonderful.
The show was highly choreographed and the dance features were amazing. A boy of about 9 or 10 years of age intermittently delivered spell-bounding individual performances. In some songs however the choreography had the capacity to distract almost totally from the singing (e.g. in the sitar-electric guitar jugalbandi), which is good for the performance but not for the music, and unfortunately I must feel the latter is more important.
The only disadvantage of this close proximity with the artistes is that one was quite capable of striking at a couple of them, e.g. 'Blaaze', whose true musical contribution to such a high-calibre show is highly questionable and who only got more irritating with each opening of his mouth. In this regard I think A R Rahman, the great experimentor, has a remarkable sense of humour and liberality.
I also thought that, while the female singers were brilliantly talented singers and performers, Barso Re Megha Megha by Shreya Ghosal is a song whose live performance demands exceptional technical ability, which I do not believe was achieved.
Hariharan was the best-known singer, apart from Rahman himself, and Hariharan's semi-classical renditions were superb. If Sonu Nigam could have been present as well, singing songs like Saathiya and Satrangi Re, this show would have been the best show EVER ! But it any case, it was the best live musical show I personally have ever seen.
DM
(Il Padrino)