Thanks to the incredible success of the TV show "House" Oxford born Hugh Laurie is known throughout the world these days as the misanthropic but brilliant doctor Gregory House, although there are some, myself included, who will forever associate him with iconic comedy roles such as Bertie Wooster, and Blackadder's Prince George and Lieutenant George. Up until last year it's probably fair to say that Hugh Laurie was not in danger of being considered a blues musician but "Let Them Talk", his collection of takes on classic blues songs changed that by racking up a steady stream of positive reviews and critical acclaim.
No-one recognises this contradiction more than Laurie himself, as he self-deprecatingly admits in the sleeve notes of the album, "I was not born in Alabama in the 1890s. I’ve never eaten grits, cropped a share, or ridden a boxcar. No gypsy woman said anything to my mother when I was born and there’s no hellhound on my trail, as far as I can judge." What Laurie does bring to the table is a lifelong love of blues music, and a genuine musical talent that gives him the ability to successfully pull off one of the more unexpected roles of his career to date.
On Sunday evening, glass of whisky in hand, Laurie strolled casually on to the stage of Manchester's Lowry Theatre - which was decorated in a homely fashion with a collection of standard lamps and throws - knelt in front of the audience and kissed the floor explaining that this was partly to say hello again to his mother country, but also to demonstrate that "Yes, I am considerably balder than you might have imagined."
After a few minutes of polite and disarming chat his stellar band of backing musicians known as the Copper Bottom Band took their places and kicked the show off with a rocking version of the Little Walter song "Mellow Down Easy". One of the personal high spots of the evening came as quickly as the evening's second number, a lovely take on "St. James Infirmary", a song that actually has it's origins in an 18th century British folk song. Other stand out moments included "John Henry", "Tipitina" and "Waiting For A Train".
With such a huge catalogue of outstanding blues songs to choose from, Laurie's 21 song set was a pleasing mix of songs which appeared on "Let Them Talk" along with other numbers such as "Unchain My Heart", "Junko Partner", "Dear Old Southland", "Wild Honey", "Careless Love" and a rousing version of "Yeh Yeh".
Introducing numbers Laurie spoke with reverence of such luminaries such as Professor Longhair, Leadbelly, Buddy Bolden and Jelly Roll Morton, and early in the show he jokingly said of the Copper Bottom Band "Watch me, but listen to them" and this proved to be sage advice. The band - Jay Bellerose (drums), Kevin Breit (guitars), Vincent Henry (horns), David Piltch (bass), Patrick Warren (keyboard/accordion) and vocalist "Sister" Jean McClain - provided superb support for Laurie's accomplished piano, and occasional guitar playing.
Sadly, the Manchester date was one of the only three on this current visit although the tour continues throughout Europe this month before continuing across the US throughout August and September. Laurie's acting schedule may prevent such lengthy tours from being repeated for some time, but let's hope that this doesn't prevent him from sharing a second album of his take on some classic blues to tide us over until he returns.
Lowry Theatre @
- Manchester @
- 01/07/2012 @
Favourite moment: A super version of St. James Infirmary @
Setlist: Mellow Down Easy. St James Infirmary, Crazy Arms, You Don't Know My Mind, Battle Of Jericho, Buddy Bolden's Blues, Unchain My Heart, Junko Partner, Waiting For A Train, Winin' Boy Blues, John Henry, Yeh Yeh, Dear Old Southland, Wild Honey, Careless Love, Swanee River, Tipitina, Let Them Talk, Green Green Rocky Road, Changes, Tanqueray @
Opening act(s): None @