There are those few rarities in life; a Birthday wish coming true perhaps, actually seeing a pig fly.. And now, seeing the overly talented Jack White live can be added to that list. Starting the show with the most raw guitar noise ever made from a guitar, 'Dead Leaves and the Dirty Ground' comes into play infusing the entire crowd to sing along with the appreciation that it's the final song of the night, but Jack White's only just getting started. Shortly followed is the intro snippet to 'Cannon', before remembering that it's the 'Blunderbuss' album that's the staple for the tour 'Missing Pieces' merges into the previous White Stripes classics, getting as much praise as if it's already a stone-cold classic. For what is arguably the highlight of the concert are the very mellow songs back-to-back 'Love Interuption' and 'Hotel Yorba' that are sang with the passion and vibe that wouldn't feel out of place if Jack were performing them to a rowdy crowd whilst square dancing. We're further into the show now and we've already been delighted with a selection from Jack's musical catalogue, we've experienced his solo creations, songs that made us fall in love with him in the first place with White Stripes and his equally amazing supergroup of a band The Raconteurs, before Jack feels that we're not being spoilt enough out comes the rawest of White Stripes guitar solos in 'Screwdriver' that instantly paves the way for the most bluesy noise ever created in this Universe, 'Blue Blood Blues', a classic song mad famous by another band from Jack White's ever lasting band formations, 'The Dead Weather'. Approaching his encore, Jack and his all female backing-band The Peacocks deliver the noisiest song from the 'Blunderbuss' album, 'Sixteen Saltines', teasing at what is to follow.. The song that Jack turns into a giant singalong flowing through the room like a drunken karaoke moment, 'Steady, As She Goes'. Now the final moment has arrived, Jack and The Peacocks aren't ready to leave yet, we DON'T want them to leave yet but all great things must come to an end. Whilst clutching and tuning his guitar and clapping his feet on the stage, every single person has awaited this moment the entire evening, they hint at what is about to happen when Jack gives everyone the go-ahead to hum the hell out of what is to proceed, 'Seven Nation Army' sends the audience back into a trance all fixed upon Jack's magnificent presence, no-one possibly showing any signs to leave it all here, half fixated on singing the lyrics to the greatest guitar anthem of all time, half fixated on singing the guitar riff it's most famous for, 'Seven Nation Army', with it's potential to fill out any room and have everyone jumping, instead has everyone dancing along which furthers proves the magic behind the legend onstage and his ability to inflict different emotions and vibes through the slide of his guitar and the power of his voice, what a true vocal magician and rarity this man has become. Never has a man recieved such a generous and shockingly loud applause, he has most definitely earned it.
Alexandra Palace @
- London @
- Sat 3 Nov 2012 @
Favourite moment: When Jack White surprised everyone by performing 'You're Pretty Good Looking (For a Girl)' @
Setlist: Dead Leaves and the Dirty Ground
Cannon
Missing Pieces
Cannon/John the Revelator
Love Interruption
Hotel Yorba
Weep Themselves to Sleep
Lord, Send Me an Angel/Top Yourself
You're Pretty Good Looking (For A Girl)
Hello Operator
Hypocritical Kiss
Two Against One
(Danger Mouse cover)
Hip (Eponymous) Poor Boy
We're Going to Be Friends
Screwdriver / Blue Blood Blues
I'm Slowly Turning Into You
Broken Boy Soldier
Ball and Biscuit
Encore:
Sixteen Saltines
Steady, As She Goes
Seven Nation Army @
Opening act(s): The Kills @