As someone who originally came for seeing Whitechapel (who dropped off the tour to be replaced by Veil of Maya), there was some slightly lowered expectations before the 23rd arrived, but actually these were completely subverted by August Burns Red in particular, who pulled off an intense and excellent set.
First band on was Veil of Maya (Whitechapel replacements) who actually, in the face of many people who perhaps were disappointed at their arrival (judging by the many in sawblade t-shirts) pulled off a solid set, providing their own brand of progressive djent-inflected deathcore. Second on (and for some, the main set of the night) were Christian metalcore heavyweights The Devil Wears Prada, who whilst retaining an enormous fanbase in the US, have never been as large in the UK. The set had a majority of songs from their last (and best) album Dead Throne, with a definite focus on a 'heavy' sound, the appearance of Mammoth as the set closer exemplifying this. As a whole, the only weakness was Hranica's vocals, as although his lows were usually on point, his high screams seemed off most of the set, which seemed to be the weak link in the set in general. Whilst not being particularly bad in of themselves, Prada, especially in comparison, disappointed in comparison to the tightening up of their sound evident on Dead Throne.
However, there was no sense of disappointment from the headliner, fellow Christian metalcore band August Burns Red. Opening with a trance intro leading into Composure (probably their biggest hit), Jake Luhrs (in comparison to Mike Hranica) showed off his formidable vocals from the outset, with this opening burst followed up immediately by The Eleventh Hour, another 4 minute slice of their distinctive metalcore sound. The set focused on their last album Leveller, with such songs as Carpe Diem, Empire, and Internal Cannon providing, whilst not entirely out-there in a sound sense, a difference in style from most of their contemporaries such as Miss May I or Attack Attack, with progressive, groove and thrash influences evident in these songs in particular (added to the odd strangely jazz-like interludes in Carpe Diem and Divisions). While Jake Luhrs sprinkled the set with instructions to dance (because he 'loves to dance'), the set was fast-paced with moshpits appearing at choice moments (usually pre-emptive to another breakdown) in almost every song. While songs from Leveller were well-recieved, older songs, such as Back Burner and Meddler, which are closer to a more fast-paced hardcore sound, were welcomed with open arms by the clearly loyal ABR fan base, out in force here. With a well-placed dual-drum solo by Matt Greiner and bassist Dustin Davidson ending the set, the encore of Empire and White Washed was a good way to round off a tight and excellent set by a band that is clearly reaching greater heights whilst not losing experimental elements and their trademark particular metalcore sound.