I hate to throw out a 5 star rating on my first review, but I thought long and hard and to mark the gig down for anything would be harsh!
I bought tickets to this show on a whim, having just watch the video to 'Bang Bang Bang', and began to wonder if I had been so smart. I knew nothing of Mark as an artist really, although I knew some of his previous album as so much of it has been featured on TV shows and such. Its not even really my 'scene', if I had to classify myself. Ronson's Dance-pop sound is good, but I don't really listen to anything else in a similar category. I'm more of a rocker! Anyway, I asked some friends to come, but many dismissed it as they said his music was boring or they didn't like his persona.
Come gig day I was apprehensive, but that was all put to rest after what was perhaps the finest gig experience I have ever had! Ronson's band lineup was exciting for a start, pulling together a lot of fine musicians who are well known in their own right. Stuart Zender from Jamiroquai was on bass, and Alex Greenwald (lead singer from Phantom Planet) played keyboards, guitar, and did a lot of the vocals. The female vocals were taken on by the gorgeous Rose Elinor Dougall (formerly of The Pipettes - who opened the show with her band) and the crazy electro-musician MNDR (who provides the female vocal on 'Bang Bang Bang'). They were all assisted by capable drum and keyboard work from 2 musicians whose names, regrettably, I have forgotten. Also, many of Ronson's songs have featured hip-hop artists - and providing the rap vocal was American 'SpankRock'. And lest we forget the guest stars! Originally tabbed to appear was Boy George, who provides a vocal on the new album, but unfortunately he did not show. Although we were not disappointed - twice we were treated to cameos from The Kaiser Chiefs, for 'Oh My God' and 'Record Collection', as well as a 2-track appearance by 'The View' singer Kyle Falconer - as he sang 'The Bicycle Song' and 'Valerie'.
It has taken me so long to describe the lineup, but bear with me! On top of the surprising level of cohesion shown by the seemingly random assortment of musicians on stage, the set and costume was spot on too. Ronson clearly puts a lot of effort into creating an experience for the fan, which goes against his perceived image. Colour-coded instruments (all in red and white to match the stage and backwall setup), as well as uniform grey suits, black shirts and red socks for the male members of the band gave it all an air of confidence before they started playing. And when they did play, it was with a lot of style and stage presence. The sound was spot on, as you would expect given Ronson's production background, but the energy on stage came as a suprise. A good mix of new and old material, as well as timely introductions for guest musicians, and a short DJ set by Ronson at the halfway point kept the action hot and the pace varied. A lot of the songs had a lot more 'meat' to them too. The 'big band' sound from his previous album 'Version' was substitued for a heavier guitar-based sound, best seen on the heaviest re-imagining of 'God Put a Smile Upon your Face' that I believe I will ever hear!
And throughout it all, Mark and his band came across as very humble and appreciative. Too often I have been to gigs where you get the impression that the band find it all to be a chore. Not so this time, and it made for a great atmosphere with a well-behaved crowd, which was a pleasure to be a part of.
In summary, I would recommend you get to one of Ronson's shows and see for yourself. The level of enjoyment far surpassed my expectations, far more enjoyable than many of the shows I have attended this year, such as Example (who I had VERY high hopes for) or the The Mars Volta (who at the time were by far my favourite band!). Possibly the only other performance I have enjoyed so much in 2010 was Weezer's set at Leeds Festival, and if you were there you will know how MASSIVE that really was (I thought they were better than Blink 182 on the night, and that is saying something!). The only disappointment of the night was the no-show of Boy George, and on reflection I probably didn't miss him that much. I just hope that Mark Ronson can shake this 'arrogant' image that seems to follow him around, which I can safely say he does not deserve.